Bruge
is in a plentiful supply of alcoves, especially in the area of Astridpark. This
according to Yuri (a fictional character of In Bruge fame) it’s a perfect place
for the heinous crime of murder. But for Yuri, the big concern is over
'alcoves…or nooks and crannies?'
Whilst
Yuri seems none too bothered about the unfortunate grizzly end for one
individual that will be the result of his selling of armoury to a portly
Irishman, his quest for a more appropriate term to accurately describe these
architectural nuances seems to plaque his dialogue rather too much. It seems
odd to me that a gentleman of this unique calliper, interested in facilitating
hit men, gangsters, the all round not the loveliest of folk, would need a
better descriptor to deliver his disturbing advice.
Alcoves
tend to suggest a specific form, a recess in a room, a place for grannies
books, a safe haven for dust, a unthreatened post from which to leave generic
images of your glorious gap yar photos, framed in ‘authentic’ livery with hand
painted ornament to reassure any viewer of the authenticity of it's Asian
jungle far from the reaches of the manufactured (although stamped with 'made in
india' on the underside), origin
The
alcove is easily illustrated but rarely ventures beyond the living room. It’s
type cast as an easily defined space fit for the purpose of sound storage. It
however meets few benefits for Yuri, and neither does it have much skope for
exploration in my ever tentative look into my supposed interest of the fabled
all encompassing narrative architecture.
‘Nooks
and Crannies’ seem to better reflect the construction of these archi-types that
populate the Astridpark area and allow for the sinister story line conducted by
Hollywood’s scribers to play out. But it’s unfortunate that the nook and
crannies formula retain such a negative label, from general space waster and
space planners’ nemesis, to the arch rival of the modernist machine ὰ habiter,
and now top hitter for Yuri’s advice on delivering 6 feet under, it’s about as
much loved as a wolf whistle.
I
wonder what younger Yuri, a loved and opportunity rich, ambitious boy of the
post war Belgium, state educated, tentative yet confident lad, explorative with
charming naivety, a giddy thinker, a happy go lucky dreamer, what would he have made
of the nooks and crannies. What would his memories be, what we he do with them, instead of his shadowed quirky self of late.
The
nooks and crannies from an array of person’s anecdotes, plenty dull, but plenty
not so dull, generate the very crux of the story and turn the inopportune
moment, into a delicious melody of chance.Take
Frodo and team for a prime reference. During his early foray into the unknown,
He, Sam, Pippen, and Merry take quick refuge in the nook below the track,
perhaps a little fortunate, but then it would have been a dam sight shorter
story if they had no where to hide, the horse chap picks them up, kills the lot
of them (ironically the absence of an alcove at this moment in time is the
reason for their demise) takes the ring, and bobs your uncle, Middle Earth is
destroyed. The nook saved them.
The
nook and the cranny are the unspecified, un-regulated, un-loaded space for the
strangest events to take place. Consistently overlooked as a blight to ‘space’
the good nook and cranny has potential in the private or public sector, from
residential to office spaces or maybe rural farmland. They can offer little
pieces of intimacy for that cheeky kiss. For the stashing of all things tea
related. For your new ant farm. They can act as secret meeting areas, public
meeting areas, devious meeting areas, chickens meeting areas….if you have
chickens. They can be awkward, unusual, simple, bland, cosy, dark, damp, cold,
frosty, full of ice, ants, cheese and crackers, or paint by numbers. They can
lead to secret lairs, squat loos, or to nothing at all.
But
I think the young gun Yuri would have just peed in them. After all, his
national icon is Manneken Piss
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